The Fine Line of Wildlife Photography by Simon Jackson

The fine line of wildlife photography


Yellowstone National Park's Scarface

It’s a great honour to be writing for the Yellowstone Daily – an exceptional forum dedicated to my favourite place on Earth, made more special by thepassion and dedication of my good friend, Deby Dixon.
Since seeing my first wild bear at the age of seven in Yellowstone National Park’s Antelope Valley, my passion for the wild has been fuelled by my passion for nature photography. And for almost every year for 25 years, I’ve returned to Yellowstone to be inspired by nature and inspired to give nature a voice.
 After wrapping up the two-decade campaign to save the white Kermode or spirit bear on Canada’s west coast through my organization, the Spirit Bear Youth Coalition, I co-founded with my fiancée, Jill Cooper.
Our goal is simple: spark a passion for the wild in others by using photography and storytelling as a tool to help the world fall in love withnature again. After all, I passionately believe the camera can freeze moments that can inspire a wired world to appreciate the interconnectedness of all life.
But within communities of passionate wildlife advocates, few topics are as divisive as wildlife photography. And for good reason.

Killing with kindness?

I’ve been fortunate enough to study bear behavior and be trained by world renowned bear
biologists and bear guides. With over 20 years of experience photographing and researching not only bears, but many other types of wildlife all across North America, we have a good sense of how to photograph wildlife without threatening the animal’s wellbeing. That being said, we’re human and we, doubtlessly, make mistakes.
Every time you photograph an animal, there is always the concern of habituating wildlife and the omni-present reality that, when photographing animals
in a public space, a misguided tourist will inevitably cross the line and harass the photographic subject. For this reason, many have argued that if you see a
bear in a national park, you should not stop to watch it or take a photograph, knowing that it will lead to a ‘bear jam’. And while I understand this argument, there is an important counterpoint.  Conservation biology is clear: bears – and other indicator species – need large, roadless wildernesses in order to survive. While many of these spaces exist
in the world, most national parks – places like Yellowstone and Banff – are not and never will be that roadless wilderness.
In fact, though the perception is that these wild spaces exist to conserve wildlife, the reality is, for better or worse, they were created for the benefit of the people.

Embracing reality

Many national parks are trying to re-wild their front and back country and put a heightened focus on animal conservation. This is admirable. But roadways and trails (and, frustratingly, towns and golf courses and ski resorts in Canada’s parks) are here to stay.
As a result, this imperfect version of protected wilderness needs to strike a fine balance between animal needs and the bigger picture of helping people foster a love for nature and conservation. Seeing bears in the wild is a remarkable experience and positive bear (and wildlife) encounters are critical to creating a culture that appreciates and supports balanced conservation.
It’s a known fact that people who have first-hand experience with a region or a specific animal are more likely to believe in its protection. Indeed, seeing – and eventually photographing – bears (including the spirit bear) in the wild was what led to my all-consuming commitment to protecting the Kermode.
So while most of us can understand why many parks have policies in place that discourage bear watching, in my opinion, it’s a futile fight, and a misguided one to boot.

The power of jams

Parks like Banff and Yellowstone will never, on their own, be sufficient to sustain functioning
populations of large carnivores. Yet, in order to create the political will to establish large, connected and roadless wildernesses, these parks can assist conservation through land protection, yes, but more critically can act as the conduit for people to understand and appreciate nature.
We need parks – and their frontline spokespeople, rangers – to champion policies and people that use wildlife jams as a manageable tool to provide people with first-hand education and positive experiences (and photos) to take home to share with their social networks.
Yes, there will be times when a wildlife jam is inappropriate (impact on the animal, impact on traffic, people safety, etc.) and a good ranger knows the difference between a bad jam that can’t happen and a good jam that is safe.
But by educating the untrained tourist at wildlife viewing opportunities – and empowering the many responsible photographers who are well-versed in animal behaviour – parks can create the conditions for positive experiences that will translate into an environmentally conscious populous.  (To give credit, my mother has been arguing this point for years.)
This is a philosophy that is wholeheartedly embraced in Banff and Jasper and within some regions of Yellowstone (Lake Region).
Still, in some parts of Yellowstone (the northeast), Grand Teton National Park and especially in Kananaskis Country, Alberta, policies persist that actively discourage people from watching bears and, in the name of saving bruins, actually try to make the animals more aggressive toward people (more on that in another post).

Imperfection at its best

I don’t pretend to have all of the answers and, yes, at times wildlife photography can hurt the subjects we’re trying to capture.
That said, it strikes me that rather than trying to seek an impossible-to-achieve utopia, where animals that encounter people are left to their own devices, we should embrace reality and work to take advantage of a marvelous engagement opportunity.
Parks can help people find inspiration from wildlife watching/wildlife photography and, in the doing, drive up much needed visitation numbers that will, in turn, yield more resources to ensure the proper balance is struck.
Indeed, this is the fine line of wildlife photography in an imperfect world. For throwing the baby out with the bathwater is to waste what I believe is our greatest opportunity for engaging the unengaged in the quest to protect the true wilderness – places
where the animals will always come first.
D. Simon Jackson |

3 thoughts on “The Fine Line of Wildlife Photography by Simon Jackson

  1. Yes, Simon, welcome and thank you. This post so articulately expresses the importance of making wildlife visible to the public so that they can understand the need to protect what is here. An important contribution that should be read by everyone who is considering wildlife photography as a hobby or profession.

Leave a Reply